Taal movie singer
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Taal has some similarities with Pardes: There is the family, brothers, sisters-in-laws, aunts and uncles. Some vulnerability is clearly visible when he repeatedly confirms with Mansi that she loves him and then keeps repeating to himself that he loves her too. And despite Anil providing an element of excess, his character, infused with some seriousness, is complex enough not to allow you to dismiss him as another Bollywood loudmouth. The whole film is soft, with very few scenes bordering on the dramatic.Īll the characters are understated: Ash's character is quiet and reserved, Akshaye's is dashing and romantic. Ghai dropped old favourite Ashok Mehta and picked Kabirlal to provide the cinematography. The choreography, as we mentioned, is excellent too. It is undoubtedly the best song in the film. Hariharan has done a beautiful job in singing Mere samne tu, a poignant number about a beaten but still hopeful lover. And these meld well with the Indian music. Here, Rahman relies on jazz and some Western classical to bolster his tunes. The background score, over which Rahman mulled so hard that he delayed the release, is pretty good too. There are 12 songs in the film, all shot well. Unlike in Dil Se, Rahman's earlier effort in Hindi where the songs were extraneous to the storyline but excellent by themselves, here the songs provide the bedrock for the movie and are weakened without it. And it is in the picturisation that his songs actually gain in value. His style shows through despite his effort to maintain a very north Indian flavour. Despite A R Rahman lamenting that he is getting repetitive, this isn't where he runs through the formula again. Songs come every 15 minutes, and every one of them is good. This film is touted as the musical love story and you won't be shortchanged on that count. So you have him stealing folk songs and re-mixing them to rake in the moolah. He plays the street-smart, cynical music composer commendably.
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He is the best thing to happen to this film that, otherwise, may have been subsumed in prettiness. If you wonder what Kapoor is doing in a youthful love story, think again. The film gets particularly interesting with Anil Kapoor's arrival. Hopefully, this film should be able to do something for his career. Here he is endearing as a young and besotted lover who won't take no for an answer. His screen presence too could do with a boost. He is a good actor who has often chosen his roles badly. Taal will again enhance her reputation as an actress while in no way detracting from her image as a traffic-stopper.Īkshaye is his usual self. With Hum Dil De Chuke Sanam she consolidated her position as an actress after being just a beautiful face for so long. And besides acting well she also dances beautifully.ĭespite her previous record of flops, Ash always picked films that gave her scope to perform. That ensures she really doesn't take over though the film revolves around her character most of the time. This role suits her and she has other good actors to work with. She goes without make-up in the first half of the film and still looks mighty pretty. Though she looks pained and tragic in most of the film, she does a good job of a woman who is very protective of her father and one who doesn't think twice before rejecting a lover who has insulted her father.
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She looks etheral and unlike the former film, has a very sober and soft role. But then, who cares.Īfter being praised for her looks and acting talent in Hum Dil De Chuke Sanam, Aishwarya has excelled in Taal. The locales in Himachal Pradesh are breathtaking. Taal is shot beautifully and all the actors are made to look excellent. That makes is what makes the film worth the viewing and, so, a little difficult to judge. This triangle isn't all that different but where Ghai has scored magnificently is in the treatment. He makes her a star and falls for her himself. Vikrant eyes light up on Mansi and he assures her she is star material.
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Mansi meets Vikrant Kapur who is a loud, flashy music director who also happens to own a music company. He promises her marriage and goes back to the city telling himself that love is faith and other things in the same vein.īut Manav's foreign-bred aunt creates trouble and the lovers are separated. He falls in love with the place - and Mansi. Manav is the son of a businessman who comes to Chamba to buy some land. Mansi, from Chamba in Himachal Pradesh, is the daughter of a village folk singer and dancer. Taal is the eternal triangle love story involving Mansi (Aishwarya Rai), Manav (Akshaye Khanna) and Vikrant (Anil Kapoor). After all that hype and hoopla, Subhash Ghai's magnum opus, Taal, finally reaches the theatres. Rediff On The NeT, Movies: The review of Subhash Ghai's Taal